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“White House Horses”
Throughout our history American presidents have appreciated
the contribution of horses to life at the White House. Before
automobiles, presidents, and their families and staffs depended
on horses for transportation, communication, and enjoyment. The
White House had its own stable from 1800 until 1911, when the
stable-turned-garage was torn down. Even now, horses
can still be seen at the White House during official ceremonies
and state occasions. In “White House Horses” learn
about the roles horses have played in White House history.
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“The White House at War: 1941-1945”
“The White House at War: 1941-1945” tells
the story of the White House as a symbol of freedom in the
darkest hours of World War II. The exhibit’s images
recall the “date that will live in infamy”, operations
of the map room, the victory celebration in front of the White
House, and details the military service of eight U.S. presidents. A
45-minute video contains selected period newsreel clips and
an interview with George Elsey, World War II map room aide
to Presidents Roosevelt and Truman, conducted by Hugh Sidey
of Time magazine.
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“The West Wing: Workshop of
Democracy”
More than a hundred years ago, Theodore Roosevelt
directed a “restoration” of the White House, stripping away
its Victorian décor and completely reconstructing the
interior. As part of that makeover, a new wing was built
on the west grounds. In the years since, the structure
and the staff have grown in both size and importance. Today
the term “West Wing” is synonymous with the president
and his staff and a symbol of America itself.
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“The White House Meets the Bulldozer: Harry
Truman’s Renovation, 1948-1952”
More than
fifty years ago, when the leg of Margaret Truman’s
piano came through the ceiling of the room below it, President
Harry Truman approved a dramatic and extensive reconstruction
of the most important house in the country, the White House. Over
a period of four years, National Park Service photographer
Abbie Rowe chronicled the removal of the interior structure
and rebuilding of the house on a skeleton of steel structural
beams. This unique architectural history shows a pivotal
time of demolition and transformation of the White House
to the building we know today.
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“’The President’s Own’:
The United States Marine Band”
For more than 200 years, the Marine Band
has performed its mission to provide music for the President of the United
States. Early in its history Thomas
Jefferson, a musician himself, gave the band the title “The President’s
Own”.
Photographs and reproduction documents trace the Marine Band’s history,
the origins of “Hail to the Chief”, and the use of music at social
events and state ceremonies at the White House. A CD of the band performing
such favorites as “Stars and Stripes Forever” and “Maple
Leaf Rag” complements the exhibit.
Available as a video accompaniment
to the exhibit is “In Tune With History”,
a 55-minute documentary about music at the Executive Mansion. Produced
by the White House Historical Association and John Goberman.
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“White House Impressions: The President’s
House Through the Eye of the Artist”
Exhibits of original artworks – Special requirements apply
To commemorate
the 200th anniversary of the White House, the White House Historical Association
commissioned prominent American artists, representing the 13 original states
and the District of Columbia, to create their personal impressions of the White
House. Original watercolors and oil paintings illustrate through
the eye of the artist the President’s House and events that have occurred
within those walls for more than two centuries.
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“Impressions of a White House Christmas: Drawings
and Paintings of Lily Spandorf”
Exhibits of original artworks – Special requirements apply
Original artworks by artist Lily Spandorf re-create the magic of White House
holiday decorations over the last thirty years. Carolers on the North Lawn,
the Blue Room Christmas tree, the chef’s gingerbread house, and other
scenes are represented in this charming collection of framed drawings and paintings. An
introductory panel tells the story of the late Lily Spandorf, an internationally
known artist whose credits include design of the 1963 Christmas stamp.
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