
A house more thoroughly
documented than the White House is difficult to imagine. Historians
and students of White House history seeking primary source materials
on the late-18th-century origin, design, and construction of
the building as well as its 19th-century reconstruction and
renovations, changing interior spaces, and purchases of art
and furnishings, must turn to the rich resources of the National
Archives, which holds White House- related letter-books, financial
accounts, and architectural and landscape drawings and plans.
To assist in its daily work, the White House Office of the Curator
has photocopies of many of these original records from 1800
to 1902. They are supplemented by letters and diary and journal
accounts (originals and copies from other repositories) describing
the White House, its grounds, the lives of its occupants, and
the myriad events that have taken place within its historic
spaces.
More specialized
records of major 20th-century projects such as the massive Truman
renovation of 1948-52 are held by the National Archives, too,
in the official records of the Commission on the Renovation
of the Executive Mansion, and in those of the National Park
Service established in 1933 and charged with certain management
responsibilities relating to the White House. The personal papers
of the architect and the interior designer who played key roles
in the Truman renovation are in the White House Office of the
Curator and supplement the official records.
The
Office of the Curator, created in 1961, holds materials that
have been acquired to support the documentation of the White
House collections of art and furnishings, and the history of
the building, the management and operations of the Executive
Residence, and the staff and consultants who have been involved
with the house. Along with historic paintings, prints, and drawings,
there are manuscripts, photographs, architectural and landscape
drawings and plans, records of White House advisory committees
since the 1920s, periodicals, government reports, and extensive
newspaper clippings. The office has a 2,000-volume noncirculating
library to support historical and curatorial research. Although
available to scholars, these resources are not open to the public.
Of major significance are the manuscript collections that have
been acquired, primarily by donation, over the last 40 years.
The papers of architects, design firms and designers, and White
House staff and advisers directly connected to the Executive
Residence compose a wealth of resources for the study of the
physical building, the changes that have been made to its historic
spaces, and its art and furnishing collections. Among the manuscript
collections are the following:
Edgar
S. Yergason Papers
Gift of the White House Historical Association, 1980
Edgar S. Yergason (1840-1920), a partner in the Hartford, Connecticut,
firm of the William H. Post Company, was a designer and supervisor
of its department of decorating in the years following the Civil
War. The firm secured a White House commission in the Benjamin
Harrison administration (1890), and Yergason worked in the Harrison
White House until 1892. He established his own company in New
York City and was called to the White House again during the McKinley
administration to redecorate the Blue Room in the first attempt
to introduce elements of the increasingly popular colonial revival
style to the White House. Yergason and the Post Company also received
commissions for other Washington residences, both before and after
his work at the White House.
The Yergason Papers are among the few surviving nongovernment
documents relating to interior changes and decor in the White
House. They consist of correspondence, estimates, sketches of
window treatments and door gates, photographs, and textile samples
of his work in the Blue Room (1890-91 and 1899), East Room (1890-91),
Green Room (1891), State Dining Room, Cross Hall, Entrance Hall
(1891-92), and the second floor corridor (1891). The papers give
a special account of the planning and decision process of these
projects, many undertaken at the time electricity was introduced
into the White House in 1891. The textile samples are evocative
evidence of colors in 19th-century White House rooms when only
black-and-white photographs illustrated those spaces. The papers
also present an uncommon record of the growth of the interior
design profession in the late 19th century.
Abby
Gunn Baker Papers
Gift of Amy V. Barton, 1969, 1999
Abby Gunn Baker (1860-1923) was a Washington journalist and author
who for more than 20 years was engaged in research on the White
House and its collection of presidential china and other memorabilia.
She was one of the earliest researchers to document the history
of the White House. In 1901, the commissioner of public buildings
and grounds, Colonel Theodore A. Bingham, with the permission
of Mrs. William McKinley, engaged Mrs. Baker to study White House
china and write about it because there was so little known about
its history or concern for its preservation. Baker searched government
records and contacted former first ladies and presidential descendants
for information on life in the White House and objects associated
with its former occupants. With the support of Edith Roosevelt,
Helen Taft, and Ellen Wilson, she sought and obtained donations
of examples of the china and other memorabilia relating to presidential
families such as rare pieces of porcelain services owned by George
Washington and John Adams. Later, she advised Edith Wilson on
the establishment of a separate room, the China Room, to exhibit
the historic collections of china, glassware, and silver.
Abby Gunn Baker's "The China of the Presidents" was
the first published article on the china. Baker was working on
a draft of her book "Heirs and Heirlooms of the White House" at
the time of her death. This three-volume draft recounts her personal
recollections in assembling the china and memorabilia collections
and her interviews with former first ladies and their families.
Her correspondence with first family descendants is filled with
personal reminiscences. Responding to her inquiry, Robert Todd
Lincoln sketched a White House floor plan indicating the exact
location of the offices of President Lincoln and his staff, and
Webb C. Hayes, son of Rutherford B. Hayes, clarified the events
surrounding his father's White House inauguration in 1877.
In addition to correspondence, Gunn's papers include rare early
photographs of White House interiors and grounds, families and
staff, White House invitations, guest lists, programs of musicales,
parties and inaugural events, and magazine and newspaper articles
on the White House and its families. It is her work with White
House china that is the heart of her papers, which also include
the earliest photographs of White House china, silver, and glassware,
as well as family china and other presidential objects.
The papers of Abby Gunn Baker provide insights into the work of
an early-20th-century woman journalist and turn-of-the-century
attitudes toward preservation and interpretation of the White
House, its history and collections. They are a valuable source
for the study of White House china, a distinctive collection that
has reflected the tastes and interests of presidents and first
ladies for more than 200 years.
Harriet
Barnes Pratt Papers
Gift of Mrs. Harold Irving Pratt, 1977
Harriet Barnes Pratt (Mrs. Harold I. Pratt) (1879-1969), a wealthy
New York philanthropist, collector of Americana, and horticulturist,
served on several White House advisory committees on furnishings
from the Coolidge to the Truman administrations. In 1925, she
was appointed by President Calvin Coolidge as chair of the first
committee created to advise presidents and first ladies and make
recommendations on White House acquisitions and decor. Throughout
the 1930s, Mrs. Pratt pressed for a new committee appointed by
the Smithsonian Institution. This was not done, but a smaller
group continued to function in the 1930s as a Committee on Furnishings.
In 1941, through the concerted efforts of Mrs. Pratt, Eleanor
Roosevelt agreed to the establishment of the Subcommittee upon
Furniture and Furnishings and Gifts for State Rooms of the White
House to be placed under the United States Commission of Fine
Arts. Mrs. Pratt served as its chair and a member until 1947.
The subcommittee made recommendations on the acceptance of donations
to the White House and on the arrangements of the furnishings
in the state rooms. Mrs. Pratt was a powerful advocate on these
committees, and her papers reveal her strong opinions and views.
The papers consist primarily of correspondence between Mrs. Pratt
and other committee members and government officials. Among them
were consulting architect Eric Gugler (1934-48), Gilmore Clarke,
chair of the Commission of Fine Arts (1937-50), David Finley,
director of the National Gallery of Art, New York architect William
Delano, and various design and manufacturing companies. There
is also a small selection of letters from Eleanor Roosevelt and
Bess Truman. Procedures for the committee are included, as are
photographs of objects reviewed.
The Pratt Papers afford the unique perspective of someone closely
involved in setting policies and making decisions relating to
White House interiors and the acquisition of furnishings over
three decades. The materials illustrate the influence of early
White House advisory committees and the degree of involvement
of presidents and first ladies with the committees as well as
the often-contentious differences of opinion among the members
of these committees and with government officials with responsibilities
for the White House.
Eric
Gugler Papers
Gift of Eric Gugler, 1970
Architect Eric Gugler (1889-1974), educated at Columbia
University and the American Academy of Rome, played
a pivotal role in alterations to the White House in
the 1930s and 1940s. After objecting to President Franklin
D. Roosevelt's first plan for an expansion of the West
Wing in 1934, Gugler prepared alternative plans that
were accepted and resulted in the redesigned West Wing
that exists today. Gugler worked closely with Roosevelt
and his staff on the project, constructing a second
floor addition, extending office space in the basement,
and moving and situating the president's Oval Office
and the Cabinet Room to their current locations on
the east side of the building. In addition to his work
on the West Wing, Gugler was appointed by Roosevelt
to the White House advisory committee for the state
rooms and advised on several room projects. His work
for the Roosevelts included the design of a grand piano
for the East Room, which is still used today, and,
at Roosevelt's request, designing a quotation by John
Adams on his hopes for future presidents for inscription
into the State Dining Room mantel. Gugler's papers
are filled with details on the 1934 West Wing expansion,
landscape plans, collecting art for the West Wing under
the Public Works Art Project, White House advisory
committee work in the Red Room, Green Room, and Blue
Room, designs of the Steinway grand piano, and the
State Dining Room mantel inscription. These are supplemented
by his memoir of these projects along with a few signed
letters from President and Mrs. Roosevelt, memorandums,
photographs, drawings, textile samples, and related
newspaper clippings. The Gugler Papers illuminate a
significant White House architectural project and offer
insight into President and Mrs. Roosevelt's involvement
with White House spaces and environments.
Lorenzo
Winslow Papers
Gift of Mrs. Lorenzo Winslow, 1984
Lorenzo Simmons Winslow (1892-1976) worked as an architect in
the White House for 20 years (1933-53), the longest duration of
any architect at the White House. He designed the White House
swimming pool in the West Terrace for President Franklin D. Roosevelt
(1934) and assisted with the West Wing expansion (1934) and with
the design of new roads, gates, and fences on the south grounds
(1936), a new White House kitchen and pantries in the residence,
new work spaces for carpenter and paint shops under the north
grounds (1937-38), and changes to the ground floor White House
Library for President Roosevelt (1938). Winslow was appointed
official White House architect in 1941 and assumed responsibility
for the design and construction of the East Wing (1942). At President
Truman's request, he oversaw the addition of the Truman Balcony
to the South Portico and in 1948 was named architect-in-charge
of the renovation of the White House that continued until 1952.
He retired to Florida in the following year.
Winslow's papers are rich in biographical material on him and
his pre- and post-White House career in addition to the extensive
materials (correspondence, articles on White House history, and
ephemera) covering the various projects in which he was engaged.
A large group of architectural drawings are, for the most part,
working drawings that supplement those in the official records
of the Commission on the Renovation of the Executive Mansion (National
Archives). Also included is a comprehensive group of White House
photographs consisting of historic views and the excellent documentary
photographs taken by National Park Service photographer Abbie
Rowe before, during, and after the Truman renovation. The vast
Winslow Papers afford a distinctive look at the personal Winslow
and his official work that resulted in today's White House.
Charles
T. Haight Papers
Gift of Mrs. Charles T. Haight, 1998
Charles T. Haight (1904-1980) was director of the design department
of the New York firm of B. Altman and Company from 1945 until
he established his own firm in 1960. His involvement in White
House interior design projects began in 1945 when Altman's was
called upon to replace the fabrics in the Green Room, and he continued
as a consultant on a variety of assignments. In preparation for
the extensive renovation of the house in the Truman administration,
Altman's assisted with the removal, storage, and restoration of
the furnishings in 1949; in 1950 Altman's was awarded the considerable
commission to oversee the design work and refurnishing of the
house. Haight and his staff were charged with the responsibility
for preparing and coordinating all plans for the new interior
for approval by President and Mrs. Truman and the Commission on
the Renovation of the Executive Mansion.
The Haight Papers supplement the official records of the commission
in the National Archives and other records in the Harry S. Truman
Library and the White House. Included are correspondence with
the commission and White House staff, White House invitations,
color transparencies of selected rooms, Haight's scrapbooks with
numerous articles and newspaper clippings, large samples of fabrics
selected for several state and family rooms, and a sample of
Blue Room upholstery fabric from the Franklin D. Roosevelt era.
Accompanying the papers are souvenir architectural elements from
the Truman renovation such as a plaster medallion of a rosette,
a gavel, and letter opener made from old White House pine, stones,
and nails. The White House also holds notes of an interview with
Mr. Haight in 1977 and several watercolor sketches of proposals
for White House rooms prepared by Altman's interior design staff
in 1950. The sketches were donated by a member of Haight's staff,
Edward Wallace, in 2000.
Jeanette Becker Lenygon Papers
Gift of the White House Historical Association and Paul
William Smart and Diane Greer Smart, 2000
Jeanette Becker Lenygon
(1878-1977) had a long career in New York City as an interior
designer and an active association with the American Institute
of Interior Designers (AID), which she helped to organize.
In 1961, Jacqueline Kennedy accepted the offer of assistance
from AID to decorate and furnish the White House Library. As
co-chair of its Committee on Historic Preservation, Lenygon
coordinated AID's refurbishment of the room and the donation
of furnishings for it, including an important suite of federal
mahogany and caned furniture attributed to the New York workshop
of Duncan Phyfe, 1800-10, and a tole and glass chandelier from
the home of American author James Fenimore Cooper.The Lenygon
Papers contain correspondence with Mrs. Kennedy and White House
staff who worked on the Library project. Included are floor
plans and drawings of architectural details of the Library,
proposals for drapery treatments, and a rare, three-dimensional
hand-painted paperboard model of the room depicting its architectural
elements and the suggested placement of its furnishings. Lenygons's
extensive handwritten notes document the development of the
project, and accompanying original bills of sale for the objects
acquired for the room and invoices for other work completed
are invaluable records. A small group of photographs of the
room before, during, and after the changes and of AID members
at the White House, as well as an extensive collection of related
newspaper clippings and magazine articles, constitutes the
remainder of the papers.
The Lenygon Papers contribute a fuller documentation of one of
the enduring projects of the Kennedy era as the room with its
1961 furnishings remains essentially intact. They also chronicle
the role played by an interior design organization in the White
House and the complexities that can arise when projects are undertaken
by a committee working with a first lady with strong creative
ideas.
Paul Manno Papers
Gift of Paul Manno, 1997
Paul Manno (b. 1915) was the manager of the New York office of
Jansen, Inc., the Parisian design firm patronized by Jacqueline
Kennedy in the White House from 1961 to 1963. Its president and
chief designer, Stéphane Boudin, worked closely with Mrs.
Kennedy on innumerable White House projects in the state rooms
and in family areas. As Boudin visited the United States only
a few times a year, it was Paul Manno who supervised the considerable
work done by the Jansen firm in the White House.
The Manno Papers, from the files of the New York office, render
an extraordinary visual design record. Among them are 79 drawings
and 23 sketches of proposals and plans for room decor, architectural
modifications, furniture, and upholstery schemes. With these designs
are a small selection of room photographs and several fabric samples
used in various rooms. In addition, an oral history interview
with Paul Manno was conducted in 1996. The Manno Papers complement
the archival records of the Office of the Curator and the John
F. Kennedy Library and yield a detailed account of Mrs. Kennedy's
White House refurbishment projects that continue to be of interest
to many Americans.
Isabella Hagner James Papers
Gift of Mrs. Alexander Hagner, 1983
Isabella Hagner James (1876-1943), the first salaried social secretary
to a first lady, came from a distinguished Washington family of
government employees who settled in the city in 1799 before the
move of the federal government to its new capital. Raised in the
neighborhood surrounding the White House, with Lafayette Park
as her playground and St. John's Church as her family parish,
she was well known in Washington social circles and was selected
as White House social secretary and press secretary by Edith Roosevelt
(1901-1909), Helen Taft (1909-10), and Ellen Wilson (the first
wife of President Woodrow Wilson) (1913-14). After Mrs. Wilson's
death she continued to plan White House social functions for the
widowed president until his remarriage in 1915.
Among Belle Hagner's papers are her published articles on her
position as White House social secretary, draft chapters of her
unpublished memoirs, working notes, ephemera relating to her work,
and a special collection of photographs of the Theodore Roosevelt
family, several by the noted Washington photographer Frances Benjamin
Johnston. Many were personally inscribed to Belle Hagner by the
Roosevelts and their children, and some were signed by Johnston.
These materials offer insight into her special relationship as
a trusted adviser and intimate friend to the Roosevelt and Wilson
families.
Her knowledge of Washington society served her well as she created
White House invitation lists, planned seating charts, and arranged
for numerous White House social events including Alice Roosevelt's
debut (1902) and wedding (1906) and the weddings of Jessie Wilson
(1913) and Eleanor Wilson (1914). Hagner describes the changes
in White House protocol introduced by President and Mrs. Roosevelt
and the reasons behind the changes. There are rich descriptions
of social and political activities of the Roosevelt administration
including the 1902 renovation of the building and details about
the Roosevelt family. Hagner also provides insights into Ellen
Wilson's project to provide better housing for Washington, D.C.'s
poor and the declining health that led to her death in 1914. Hagner's
biographical material and her recollections of the social history
of the city of Washington in the late 19th and early 20th century
are a fertile resource for the study of Washington history.